12/9/2023 0 Comments Adding fabfilter timeless to bassHe also uses a second XLFO to add more glitchy timeshifting effects but only at the end of every 8 bars. Instead of adding FabFilter Timeless 3 to one of the insert slots, create a new Instrument Track, and click on the Instrument slot. In this example, Merlyn uses an XLFO to modulate the delay time to create a crazy repitch sound. Merlyn has also used an envelope generator to slightly speed up the delay time every time the note is pressed.īy driving the input on the plugin you can saturate the signal and create a nice crunchy effect. Making a Riser Effect with Modulationīy using an XLFO to modulate the delay time, you can create a shifting pulse from a held tone. This keeps the chorusing effect from interfering with the clarity of the vocal. For processing the vocals in this example, Merlyn routed his wet signal to duck down while the dry signal crossed a threshold. The filters in FabFilter’s effect chain provide an opportunity to add a bit of extra dirt to your signal Creating Ambient Space Around a Lead VocalįabFilter Timeless 2’s ability to create unlimited routing combinations makes it easy to sculpt effects that add interest to your instrument without muddying up your mix. This instance of Timeless has been tastefully programmed to modulate various delay parameters in a stepped sequence to keep the sound of his bass patch shifting and evolving. In true Silva fashion, Merlyn has created more interest in his bass by glitching it up further using a second instance of Timeless 2. This does a great job of creating some dimension to his crunchy sounding bass track. By adding in some delay time modulation to his XLFOs left and right channels he’s built a quick chorus effect. Widening a Bass by Adding a Stereo Chorus Effect with DelayĪs Merlyn demonstrates, FabFilter Timeless 2 is like a swiss army knife of delays.
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